Corona Dance In Iran – Iran’s top leader receives a locally made covid shot, but the fight for the vaccine continues Despite Ayatollah Ali Khamenei being shot with an Iranian-made vaccine, few citizens in the Middle East’s worst-affected country have been vaccinated.
Supreme Leader Ayatollah Ali Khamenei received an Iranian-made covid-19 vaccine in Tehran on Friday. The office of Iran’s supreme leader is confidential, via AP
Corona Dance In Iran
Supreme Leader Ayatollah Ali Khamenei received an Iranian-made covid-19 vaccine in Tehran on Friday.
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TEHRAN – Iran’s state TV broadcast to the nation: Supreme Leader Ayatollah Ali Khamenei received the first dose of the new domestic COVID-19 vaccine.
Khamenei’s website on Friday released video and photos of the shooting, in which the supreme leader, in his 80s, said he would wait his turn and only accept the Iranian vaccine.
Khamenei even took the step of banning the government from importing vaccines from the United States in January.
Iran, one of the countries hardest hit by the coronavirus in the world, is slowly implementing its vaccination campaign. According to Johns Hopkins University, only 955,000 people – 1.15% of the population – have been fully vaccinated in the country since it began in February. Less than 6% received at least the first dose. Officials and doctors hope to ramp up efforts, especially when Iranian-made COVIran Barekat doses become available.
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According to Dr. Saeed Reza Pakzad of the vaccination department of the Food and Drug Control Laboratory in Tehran, there is not much resistance to vaccination.
It stands next to boxes of newly arrived Iranian vaccination COVIran Barekat (also spelled Barakat), which means “blessing”. Iran granted emergency approval for the vaccine last week
Many Iranians say the main problem is finding a place to supply the vaccine.
Dr. Sina Moradmand Barekat received the COVID-19 vaccine. A cardiologist was among those who received shots as part of clinical trials. Getty Images via Sobhan Farajwan/Pacific Press/LightRocket Hide caption
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Dr. Sina Moradmand Barekat received the COVID-19 vaccine. A cardiologist was among those who received the injection as part of a clinical trial.
A small group of Iranians gathered in front of a vaccination center in Tehran on a recent morning. The site is closed and locked due to a lack of vaccines. They lined up to get their contact information on a poster-sized registration sheet taped to the wall in hopes of getting a vaccination appointment.
Gudazi, in his 70s, agreed to speak on the condition that his last name not be used (many Iranians do not want to give their full names for fear of speaking to an American reporter). Gudazi, who is retired, said he received his first injection of the Chinese-made Sinopharm vaccine and has been trying to get a second dose for several weeks. He gestures to the audience.
“The people you see here who are over 70, they are valuable people. In their youth they were revolutionaries,” he said, referring to Iran’s Islamic revolution in 1979. “Now, after 42 years, they are struggling to get vaccinations from the government” , he said.
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He added, “I apologize for myself and for the government that does not value and respect the nation.”
Godazi shares the general perception in Tehran: well-connected officials and their families and friends received the best vaccines, while ordinary Iranians fended for themselves.
People over the age of 70 wait to be vaccinated against covid-19 in a segregated section of a shopping mall in Tehran on May 25. Mass vaccinations that began in Iran on February 9 continued from Russia and China, some through the global Kovacs network. Iran has now granted emergency approval for a domestic vaccine. Fatemeh Bahrami / Anadolu Agency via Getty Images Hide caption
People over the age of 70 wait to be vaccinated against covid-19 in a segregated section of a shopping mall in Tehran on May 25. Mass vaccinations that began in Iran on February 9 continued from Russia and China, some through the global Kovacs network. Iran has now granted emergency approval for a domestic vaccine.
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At a medical research and testing laboratory in central Tehran, Dr. Ehsan Alavian that, like many countries, the country was taken by surprise when the pandemic began, and the first months were stormy.
“We didn’t have any protective measures in place for healthcare workers in the beginning,” Alavian says. “Things like masks, shields, gowns or other protective measures to deal with respiratory infections.”
But over time, Iran says it has begun manufacturing essential supplies, including test kits, and increasing its oxygen equipment.
A medical worker wearing a face mask receives a dose of China’s Sinopharm vaccine during the third day of public mass vaccinations against Covid-19 at a shopping mall in Tehran on May 17. Majid Saidi/Getty Images Hide caption
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A medical worker wearing a face mask receives a dose of China’s Sinopharm vaccine during the third day of public mass vaccinations against Covid-19 at a mall in Tehran on May 17.
Washington has imposed sanctions on Iran over issues such as human rights, support for militants in the region and Iran’s nuclear program. The US says the sanctions are not intended to target medical supplies, but Iranian officials say harsh penalties on international business with Iran are hindering its access to vaccines.
According to state media, Iran imported vaccines mainly from Russia, China and India. He also received doses through the COVAX program, created by the World Health Organization and other agencies to provide countries with coronavirus vaccines in need. It also adds a vaccine that Iran is co-producing with Cuba.
Earlier this month, Iran’s health ministry said the death toll from Covid-19 had surpassed 83,000, with the number of confirmed cases exceeding 3.1 million, the highest in the Middle East.
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It remains to be seen whether this country will produce and distribute enough vaccine in time to stop the epidemic. After the Iranian revolution, the national dance was banned. It was overturned by the smuggled videotapes of exiled dancer Mohammad Khordadian challenging traditional gender roles.
“Have you seen the new Hordadian video? It’s powerful!” – After the Iranian Revolution in 1979 and during the Iran-Iraq War (1980-1988), almost every family in Iran talked about the dancer Mohammad Khordadian and his famous music videos.
At the time, Iranian society was in deep depression due to ongoing political repression, the ravages of war, and increased sanctions. When socio-cultural restrictions in the form of strict censorship were at their strongest, video tapes (VHS) of dance classes and performances were smuggled from the US to Iran, copied and passed from family to family. In many cases these records were the only reference for the study of “Iranian” dance.
Video recording made Mohammad Khordadian famous. After the 1979 revolution and the subsequent ban on dance, Khordadian left Iran and emigrated first to Great Britain and then to the United States. In Los Angeles, home to the largest Iranian diaspora, she has been able to establish her own style, combining different types of dance such as folklore, traditional Iranian dances called “Baba Karam”, cabaret dances, belly dances and aerobics. often accepted as a standard “Iranian” dance.
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In the video they prepared for the exhibition, Ramin Harizadeh, Rokni Harizadeh and Hesam Rahmanian took the Khordad dance style as their theme. “Dance After the Coup, From Teheran to Los Angeles and Back” is a combination of video footage and footage from the three artists’ archives since 2013. style to the viewer.
For this purpose, to better convey and understand actions in memory, he invents stories, adds laughter and exaggeration to them. It includes coquetry and movements found in classical dance styles of women in dances performed by men, such as playing with their hair, smooth movements of hands, arms and head, circular movements of their hips and waist. For men, such movements were originally not intended as a dance, but as a humorous diversion. But over time, thanks to Khordadian’s videos, flirting and women’s movements in the “man’s dance” were also established and accepted in society.
Ramin Haerizadeh, Rokni Haerizadeh, Hessam Rahmanian, Dance After the Revolution, Tehran to Los Angeles and Back (video style), 2020, courtesy of the artist and Isabel van den Einde Gallery, Dubai, commissioned by Kunsthalle Frankfurt
Freedom of movement and simultaneous lack of institutional structure in Khordadian
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